Shelagh Delaney: a poem set to jazz

In 1958 Shelagh Delaney sent her first play, A Taste of Honey, to theatre director Joan Littlewood – along with a covering letter that at one point describes her ‘enraptured frustration at the thought of what I’m going to do’. Despite its beguiling self-deprecation, she had already written for the Salford Players and had been … Continue reading Shelagh Delaney: a poem set to jazz

Properly rediscovered: 1967’s Far from the Madding Crowd

It’s heartening to see John Schlesinger’s 1967 film of Far From the Madding Crowd getting a well-deserved reappraisal, with some fairly glowing reviews for the restored version released in cinemas this Spring: “One of the most entrancing and elemental landscape films ever shot in these isles, thanks in large part to Nicolas Roeg’s peerless cinematography … Continue reading Properly rediscovered: 1967’s Far from the Madding Crowd

Firelit effigies: Thomas Imbach’s ‘Mary Queen of Scots’ (2013)

In exploring the mindset of a figure clouded by legend, this Swiss-made retelling has a beautiful atmosphere. It uses shore, mountain and forest to depict Mary’s psychological terrain; puppet effigies twitch in firelight with folk-ritual precision, and Elizabeth is a constant presence, never made flesh – she is paint or puppet or a glimpse of … Continue reading Firelit effigies: Thomas Imbach’s ‘Mary Queen of Scots’ (2013)