It’s fascinating to look at the future from the thirties and forties, and see how emotional detachment is a key feature. While Brave New World and 1984 are always in the searchlight, Rex Warner’s The Aerodrome is overlooked. I found it a year or two ago on a Waterstone’s ‘staff recommend’ shelf, and it’s great – particularly interesting as a vision of the future in a rural setting. The back cover quotes a Guardian review which describes ‘a horrified and darkly comic response to the appeal of totalitarianism, a mixture of Orwellian satire, rural sentimentality and Kafkaesque nightmare’… I note that ‘rural’ equates with ‘sentimentality’ again.
It’s a really distinctive book: the insight and observation is shot with a mixture of League of Gentlemen humour (as in Mark Gatiss, Reece Shearsmith and Steve Pemberton) and soap opera which makes its unsettling hold only stronger. The BBC adapted The Aerodrome in the early 1980s with Peter Firth, but the Monty Python-ish interpretation made too much light of the dark.